Recent Publications

Francine M. A'ness

"Towards an Embodied Pedagogy in the Teaching of Latin American Theatre" in Dramatic Interactions: Teaching Literature, Culture, and Language Through Theater. Cambridge: Cambridge Scholars Press, 2011.
"Desde lo mexicano al mundo: El teatro de Sabina Berman." Paso de Gato (abril mayo junio 2011): 13
"Review of Imagining La Chica Moderna: Women, Nation, and Visual Culture, Mexico 1917 - 1940," by Joanne Hershfeld. E-misférica 7:1 "Unsettling Visuality" (2010). <http://hemi.nyu.edu/hemi/en/e-misferica-71/aness>
"The Challenges of Translation, the Deception of Reception: The Case of Between Pancho Villa and a Naked Woman by Sabina Berman." Symposium 61:4 (2008): 278 - 290.
"Review of Reason Obsscured: Nine Plays by Ricardo Monti, by Jean Graham-Jones. Symposium 61:4 (2008): 306 - 309.
“Sabina Berman,” in Dictionary of Literary Biographies : Latin American Dramatists, (2005) 44-59.
“Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru,” Theatre Journal , 56 (2004) 395-414.
“Diálogo con Sabina Berman,” in Sediciosas seducciones: sexo, poder y palabras en el teatro de Sabina Berman , (2004) 43-63.
"Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru." Theatre Journal 56 (2004): 395 - 414. <http://muse.jhu.edu/login?uri=/journals/theatre_journal/v056/56.3aness.pdf>
"Diálogo con Sabina Berman." Sediciosas seducciones: sexo, poder y palabras en el teatro de Sabina Berman. Ed. Jacqueline Bixler, DF.: Escenología, 2004, 43 - 63.
“Technology, Language and Literacy: The New Pedagogical Challenge,” with C Kramsch and E Lam, in Loss of Communication in the Information Age , (2001) 117-130.
"Technology, Language and Literacy: The New Pedagogical Challenge." Loss of Communication in the Information Age. (Austrian Academy of Science) (2001): 117 - 130. (Co-authored with Claire Kramsch and Eva Lam).

"Authenticity and Authorship in the Computer-Mediated Acquisition of L2 Literacy." Language Learning and Technology. Special Issue on Literacies and Technologies. Volume 4:2 (2000): 78 - 104. (Co-authored with Claire Kramsch and Eva Lam). <http://llt.msu.edu/vol4num2/kramsch/default.html>
“Authenticity and Authorship in the Computer-Mediated Acquisition of L2 Literacy,” Language Learning and Technology , Special Issue on LiteraciesandTechnologies, 4:2 (September 2000) 117-130.
"Review of El teatro de fin de milenio en España: De 1975 hasta hoy," by María Ragué-Arias. Anales de Literatura Española Contemporánea: 25:3 (2000): 1159 - 1164.
"A Lesson in Synthesis: Nation-Building and Images of a New Cuba in Fresa y Chocolate. Lucero: A Journal of Iberian and Latin American Studies: 7 (1996) 86 - 98.
Mary K. Coffey

Orozco’s American Epic: Myth, History, and the Melancholy of Race (Durham: Duke University Press, 2020)
How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State (Duke University Press, 2012). Winner of College Art Association’s Charles Rufus Morey Award for a Distinguished Book in Art History in 2012.
Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms, ed. Elaine O'Brien, Everlyn Nicodemus, Melissa Chiu, Benjamin Genocchio, Mary K. Coffey, and Roberto Tejada (Wiley-Blackwell, 2013).
“José Clemente Orozco’s Dancing Indians: Performing Mexicanness for the Trans-
American Art Market,” Art Bulletin 102, no. 4 (2020): 90-120.
https://doi.org/10.1080/00043079.2020.1765637
“Corporate Patronage at the Crossroads: Situating Diego Rivera’s ‘Rockefeller Mural’ Then and Now,” Corporate Patronage of Art and Architecture in the United States, Late 19th Century to the Present, eds. Melissa Renn and Monica Jovanovich-Kelley (London: Bloomsbury Press, 2019), 15-38.
“Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco’s Epic of American Civilization,” What Was History Painting and What Is It Now?, eds. Mark Salber Phillips and Jordan Bear (Ontario: McGill-Queen’s University Press, 2019), 160-181.
"'All Mexico on a Wall': Diego Rivera's Murals at the Ministry of Public Education," in Mexican Muralism, A Critical History, ed. Alejandro Anreus, Leonard Folgarait, Robin Adele Greeley (Berkeley: University of California Press, 2012).
"An 'AMERICAN Idea': Myth, Indigeneity, and Violence in the Work of Orozco and Pollock," in Men of Fire: José Clemente Orozco and Jackson Pollock (Hanover, N.H.: Hood Museum of Art, Dartmouth College; Habover, NH: University Press of New England, 2012), 21-36.
"The 'Hovey Mural' and the 'Greening' of Orozco's Epic of American Civilization" in Walter Beach Humphrey's 'Hovey Mural' at Dartmouth College: A Cultural History, ed. Brian P. Kennedy and Katherine Hart (Hanover, N.H.: Hood Museum of Art, Dartmouth College; Hanover, NH: University Press of New England, 2011), 79-106.
“’I’m Not the Fourth Great One’: Rufino Tamayo and Mexican Muralism,” in Tamayo: A Modern Icon Reinterpreted, D. du Pont (ed.), (2007) 247-267.
“Angels and Prostitutes: José Clemente Orozco's Catharsis and the Politics of Female Allegory in 1930s Mexico,” CR: The New Centennial Review 4, no. 2 (2004): 1-33. http://muse.jhu.edu/journals/new_centennial_review/v004/4.2coffey.html
“Gifting the Cultural-Capitalist State: Consuming Popular Art/ Performing Citizenship in Mexico’s Museums,” Studies in Latin American Popular Culture, 35 (2017): 1-24.
“Great Masters of Mexican Folk Art in Los Angeles: Transnational Exhibition, Diasporic Emplacement, and the Expedient Politics of Display,” Cultural Studies 32, no. 2 (2017): 194-222.
"Banking on Folk Art: Banamex-Citigroup and Transnational Cultural Citizenship," Bulletin of Latin American Research 29, no. 3 (July 2010): 296-312.
“The American Adonis: A Natural History of the Average American Man, 1921-1932,” in Popular Eugenics: American Mass Culture in the 1930s, ed. Sue Currell and Christina Cogdell (Athens: Ohio University Press, 2006).
“Of Bodies and Embodiment: Fred Wilson’s So Much Trouble in the World, Believe it or Not!,” in So Much Trouble in the World-Believe it or Not!, B Thompson (ed.), (2006) 44-57.
Co-authored with Jeremy Packer, “Hogging the Road: Cultural Governance and the Citizen Cyclist,” Cultural Studies 18, no. 5 (July 2004): 641-674. http://www.informaworld.com/smpp/content~content=a738563333~db=all~order=page
“Toward an Industrial Golden Age? Orozco’s The Epic of American Civilization,” in Orozco at Dartmouth: The Epic of American Civilization (2007), 12-15.
Podcast on the Orozco mural http://hoodmuseum.dartmouth.edu/collections/overview/americas/mesoamerica/murals/tour.html
Orozco Eye-Notes App: a phone-based Augmented Reality App that provides quick, brief, information on works of art. The App was designed by Mikhail Gronas. https://www.youtube.com/watch?v=HoqEfw8Vdvs
"Coffey: Droning on About the Facts," The Dartmouth, Op-Ed, Thursday, October 3, 2013.
"A Mural Imperative," The Dartmouth, Op-Ed, Thursday, November 11, 2010.
“‘We Other Romantics’: Wenda Gu, Dartmouth, and the Investment in Art’s Transcendence,” Dartmouth Free Press, 8.4 (2007).
Carlos Cortez Minchillo

Book
Erico Verissimo, Escritor do Mundo: Circulação Literária, Cosmopolitismo e Relações Interamericanas. São Paulo: Edusp, 2015. ISBN 13: 978-85-314-1556-2. (Casa de las Américas Prize 2018; Finalist in the Jabuti Prize, Brazil, 2016)
Articles in Scholarly Journals
"Risky Books, Rejected Authors: Alfred Knopf and the Screening of Brazilian Literature." Revista Novos Estudos, 37:3 (Sept./Dec. 2019): 489-504. ISSN 0101-3300.
"A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)." Journal of Lusophone Studies, 4:1 (2019): 110-133. ISSN: 2469-4800
"O presente da ficção histórica: A nação reconfigurada em quatro adaptações audiovisuais de O tempo e o vento," Luso-Brazilian Review, 56:1 (2019): 39-61. ISSN 0024-7413.
"Poesia ao Vivo: Algumas Implicações Políticas e Estéticas da Cena Literária nas Quebradas de São Paulo," Estudos de Literatura Brasileira Contemporânea, 49 (2016): 127-151. ISSN 1518-0158.
"Lanterna de Luz Mórbida - Erico Verissimo e os Problemas Raciais nos Estados Unidos," Revista USP, 112 (2017): 29-38. ISSN: 2316-9036
"Autor, editor e editado: Erico Verissimo sob o crivo norte-americano." Revista Opiniães, n. 11, 2017, pp. 68-75. ISSN: 2177-3815
"Erico Verissimo's Latin America: Neighborhood, Fraternity, Fractures," Varia Historia, 30:54 (Sep.-Dec., 2014): 705-723. ISSN 0104-8775.
"A Culpa é dos Direitos Humanos – O Brasil na Ficção de André Sant'Anna," Revista Iberoamericana. Special issue on Brazilian literature and the military regime (1964-85). (Forthcoming: 2nd. semester of 2019).
"Salto Triplo para Queda em Falso: Uma Leitura de 'Aurora sem Dia', de Machado de Assis," Machado de Assis em linha 5 (June, 2010): 95-110. ISSN 1983-6821.
Book Chapters
"Ficcionalização e endereçamento na poesia brasileira das periferias". Monólogo dramático e outras formas de ficcionalização da voz poética. Alexandre Pilati et alii. Brasília, São Paulo: Editora UnB, Editora Pontes, 2020, pp. 199-217. ISBN 9788521702917
"Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema." Domestic Labor in Twenty-First Century Latin American Cinema. Elizabeth Osborne and Sofía Ruiz-Alfaro (Editors). London; New York: Palgrave Macmillan, 2020, pp. 167-190. ISBN 978-3030332952.
"Conquering a Territory, Occupying the Stage: Notes on Black Theater and Activism in Brazil." Theatre and Cartographies of Power: Repositioning the Latina/o Americas. Analola Santana and Jimmy Noriega (Editors). Carbondale: Southern Illinois University Press, 2018, pp. 135-146. ISBN: 978-0809336319.
"Engenharia Reversa em O Choque das Raças." Monteiro Lobato Livro a Livro - Obra adulta. Marisa Lajolo and João Luís Ceccantini (Editors). São Paulo: Unesp/Imprensa Oficial, 2014: 187-200. ISBN: 978 85 393 0467 7.
"História das Invenções: 'A Saga de Peludo' ou 'As Queixas de um Pioneiro'." Monteiro Lobato Livro a Livro - Obra infantil. Marisa Lajolo and João Luís Ceccantini (Editors). São Paulo: Unesp/Imprensa Oficial, 2008: 305-321.
"Erico Verissimo: escritor múltiplo, intelectual coerente." História da literatura no Rio Grande do Sul. FISCHER, Luis Augusto. Caxias do Sul: Belas Letras. (Forthcoming: 2nd. semester 2019).
Edit Volumes
Human rights, ethics and comparative literature. Special dossier in Revista Brasileira de Literatura Comparada, v. 23, n. 43 (2021/2), pp. 5–117.
Poesia em performances urbanas. Special section of Texto Poético, v. 16, n. 31, 2020, pp. 1-173. doi: https://doi.org/10.25094/rtp.2020n31a738
M.A. Thesis
Literatura em Rede: Tradição e Ruptura no Ciberespaço. (M.A. Thesis) Unicamp, 2001.
Jorge E. Cuéllar

Edited Volumes

¿Dónde están? NACLA: Report on the Americas, Vol. 56, Issue 2, Summer 2024.

Peer-Reviewed Articles

"Panamá, Exhausted" NACLA: Report on the Americas, Vol. 54, Issue 4, 2022, pp. 369-375.

"Shock Mobilities During Moments of Acute Uncertainty" Geopolitics, 2022, pp. 1-24.

"Vital minimums: El Salvador between youth and old age" Latino Studies 19, Issue 4, 2021, pp. 518-540.

"How to Read Equipo Maíz: Cartooning the Political in El Salvador" Radical History Review 141, 2021, pp. 176-202.

"Waterproofing the State: Migration, River-Borders, and Ecologies of Control" Comparative American Studies: An International Journal, Vol. 18, No. 1, 2021, pp. 59-74.

"El Salvador's Hydrosocial Crisis" NACLA: Report on the Americas, Vol. 52, Issue 3, 2020, pp. 317-323.

"Deracination/Elimination: Colonial Terror and the 1930s Race Laws in El Salvador" American Indian Culture and Research Journal, Vol. 42, No. 2, 2018, pp. 39-56.
Book Chapters

"Honduras: Inequality and Social Crisis" in Harvey F. Kline and Christine J. Wade (eds.), Latin American Politics and Development, 10th Edition, 2022.

"Central America in Two Negatives" in Gloria E. Chacón and Mónica Albizúrez Gil, Teaching Central American Literature in a Global Context, 2022.
Public Writing

"La República del Bitcoin" Revista Jacobin, June 25, 2022.

"No One is Safe in Bukele's Gang War" NACLA, June 23, 2022. [Italiano]

"Decolonial Groundwork: On Geo Maher's Anticolonial Eruptions" NACLA, April 29, 2022.

"The Value of a Volcano" NACLA & El Faro, November 1, 2021.

"Bitcoin Sanctuaries" New Left Review: Sidecar, September 15, 2021. [Español] [Italiano]

"There Is No Democratic Tradition in El Salvador" El Faro, May 8, 2021. [Italiano]

"Why Should the U.S. Election Matter to Central Americans?" El Faro, Oct. 30, 2020. [Español] [Italiano]

"La Crisis Hidrosocial de El Salvador" NACLA, September 23, 2020.

"Endless Coup, Permanent Struggle: On Nina Lakhani's Who Killed Berta Cáceres?" Los Angeles Review of Books, Sept. 3, 2020.

"Pandemic statelessness in Mesoamerica" Routed Magazine, June 20, 2020. [Español] [Italiano]

"On Waving the White Flag" Social Text: Periscope, June 5, 2020.

"El Salvador's Two Pandemics: Maximum Insecurity" ReVista: Harvard Review of Latin America, May 8, 2020. [Español] [Italiano]

"El Salvador Needs More than Savvy Messaging" El Faro, April 9, 2020.

"Deportation Contagions" NACLA: Report on the Americas, March 26, 2020. 

"Nayib Bukele and the Punitive Option in El Salvador" The Abusable Past, March 2, 2020.

"Salvadoran Militarism and Bukele's Post-Postwar" El Faro, February 13, 2020.
Sebastian Diaz-Duhalde

Book: La Última Guerra. Cultura Visual de la Guerra contra Paraguay. Buenos Aires, Barcelona: Sans Soleil Ediciones. AAV-CEISS (Área de Antropología Visual, Universidad de Buenos Aires, Centro de Estudios de la Imagen Sans Soleil), 2015.
"Interrupted Visions of History. Nineteenth-Century Political Art and Political Art History in Contemporary Paraguay." Federico Pous, Alejandro Quin, Marcelino Viera, Eds. Authoritarianism, Cultural History, and Political Resistance in Latin America. Exposing Paraguay. Palgrave Macmillan, 2017. 125-148.
"The Visual and the Visceral. Bodily Communities and Visual Communities in Martín Céspedes’ El estómago de la cultura (2012). Journal of Latin American Cultural Studies, 2017. https://doi.org/10.1080/13569325.2017.1316709
"Prensa y espectáculo. El periodismo paraguayo ante la Triple Alianza (1867-1868)". Article in Dossier of 19th Century Illustrated Newspapers in Latin America. Hispamerica. No135. Diciembre, 2016.
“Cámara bélica: escritura e imágenes fotográficas en las crónicas del Coronel Palleja durante la Guerra contra el Paraguay”. Entre el humo y la niebla. Guerra y cultura en América Latina. Felipe Martínez-Pinzón and Javier Uriarte, eds. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, 2016. 55-76.
"Estados de Exclusión: Guerra, excepcionalidad y derecho internacional en la obra de Juan Bautista Alberdi". A Contracorriente. Journal of Social History and Literature in Latin America. Vol. 13 No.1, 2015: 216-238 http://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/1358
“Estudios iconológicos en la prensa ilustrada del siglo XIX. El Álbum de la Guerra del Paraguay y la visualidad de lo 'igualmente visible'”. Journal of Music, Visual, and Performing Arts. Cuadernos de Música, Artes Visuales y Artes Escénicas. Pontificia Universidad Javeriana. Vol 9, No2, 2015: 127-146. Dossier de Estudios Visuales. http://revistas.javeriana.edu.co/index.php/cma/article/view/8491
"El globo aerostático y la máquina de mirar. Cultura visual y guerra en el siglo XIX paraguayo". Decimononica. Journal of Nineteenth Century Hispanic Cultural Productions: Vol 11.2. Summer, 2014: 34-51. http://www.decimononica.org/diaz-duhalde-11-2-2/
"Cultura Visual y Cultura Material. Circulación y consumo de objetos fotográficos durante la Guerra contra el Paraguay (1864-1870)" en FAHCE. Argentina en el escenario latinoamericano actual: debates desde las ciencias sociales. La Plata: UNLP, Diciembre 2012. ISSN 2250-846. http://www.memoria.fahce.unlp.edu.ar/trab_eventos/ev.1832/ev.1832.pdf
"The Battlefields of Disagreement and Reconciliation. 21st Century Documentary Images on the War against Paraguay (1864-1870)," Dissidences: Vol. 4: Iss. 8, 2012. http://digitalcommons.bowdoin.edu/cgi/viewcontent.cgi?article=1035&context=dissidences
"Fotografías en el fin del mundo. El archivo visual frente a la Guerra contra el Paraguay." Book Chapter accepted for publication for the volume Encuentro La Guerra Grande a la Luz de las Políticas Públicas, Asunción 2016.
"Imagen y Materia decimonónica en el archivo contemporáneo latinoamericano. Dos Colecciones de Objetos Fotográficos." Book chapter accepted for the volume Objeto Visual. Archivo, visualidades y políticas de la mirada. Editor, Javier Guerrero.
Desirée J. Garcia

The Dressing Room: Backstage Lives and American Film (Rutgers University Press, 2025)
"What Happened in the Dressing Room," InTransition: Journal of Videographic Film and Moving Image Studies. 11.1(2024). DOI: https://doi.org/10.16995/intransition.15423
The Movie Musical (New Brunswick: Rutgers University Press, 2021 )
The Migration of Musical Film: From Ethnic Margins to American Mainstream (New Brunswick: Rutgers University Press, 2014)
"Operation Amigos: The Original Amateur Hour Goes to Mexico," Quarterly Review of Film and Video 36.7 (2019), 554-572. DOI: 10.1080/10509208.2019.1593014.
"Toil Behind the Footlights: The Spectacle of Female Suffering and the Rise of Musical Comedy," Frontiers: A Journal of Women's Studies 40.1 (May 2019), 122-145.
"Bisbee '17: The Performance of History," The American Historical Review 124.3 (June 2019).
"Invisible Immigrants: A Better Life and the Cinematic Undocumented" in Frederick Luis Aldama, ed. Latinx Ciné: Filmmaking, Production, and Consumption in the 21st Century (Tucson: University of Arizona Press, August 2019), 171-185.
"Ramona in the City: Mexican Los Angeles, Dolores Del Rio, and the Remaking of a Mythic Story" in Jan-Christopher Horak, Lisa Jarvinen and Colin Gunckel, eds. Cinema Between Latin America and Los Angeles: Origins to 1960 (New Brunswick: Rutgers University Press, 2019), 51-63.
"There's No Place Like Home: The Hollywood Folk Musical" in Cynthia Lucia, Roy Grundmann, and Art Simon, eds., The Wiley-Blackwell History of American Film, 4 vols. (Walden, Mass: Wiley-Blackwell, 2012), 318-338.
"The Soul of a People: Mexican Spectatorship and the Transnational Comedia Ranchera," The Journal of American Ethnic History 30.1 (2010), 72-98.
"Subversive Sounds: Ethnic Spectatorship and Boston's Nickelodeon Theatres, 1907-1914," Film History: An International Journal 19.3 (2007), 213-227.
Reighan A Gillam

Book Manuscripts

Diasporic Agency: Transnational Racial Leverage and Challenges to Exceptionalism in Brazil (Under Contract with Columbia University Press Series Black Lives in the Diaspora: Past/Present/Future)

Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (Urbana: University of Illinois Press, 2022)

Peer Reviewed Journal Articles

2022    "Latent Blackness: Afro-Brazilian People, History, and Culture in São Paulo, Brazil" in Journal of Latin American and Caribbean Anthropology 26(3-4): 451-467.

2021    "I Africanize São Paulo: Vision, Race, and Afro-Paulista Visual Culture" in Journal of Global South Studies 38(1): 107-124.

2021      "Satirical Antiracism: Digital Protest Images in Afro-Brazilian Media," in Visual Anthropology Review 37(1): 31-51.

2017    "All Tangled Up: Race, Gender, and Sexuality in Mariana Rondón's Bad Hair" in Black Camera 9(1): 47-61.

2017    "Representing Black Girlhood in Brazil: Culture and Strategies of Empowerment" in Communication, Culture, and Critique 10(4): 609-625.

2016    "The Help, Unscripted: Representing the Black Revolutionary Domestic in Afro-Brazilian Media" Feminist Media Studies 16(6): 1043-1056.

2016    "Learning to Transgress: Law 10.639 and Teacher Training Programs in Brazil" Transforming Anthropology 24(1): 70-79.

2015    "'Do I Look Suspicious?': Digital Acts, Narratives of Resistance to Police Violence in Brazil" College Language Association Journal 58(3-4): 286 – 302.

2013    "(En)countering Exceptionalism: Afro-Brazilian Responses to the Rise of Obama." Latin American and Caribbean Ethnic Studies 8(3): 323 – 335.

Edited Volume Chapters and Commentary

2023     "I Africanize São Paulo" in International Journal of Fashion Studies 10(2): 249-53.

2022    "bell hooks's Oppositional Gaze and Black Feminist Film Production in Brazil." In Women's Studies and Communication 45(4): 450-456.

2022    "Afro-Brazilian Creative Workers Speak: Juliana Vicente's Standpoint Cinema." In Women- Centered Film in Brazil: Filmmakers and Protagonists of the Twenty-First Century. Jack A. Draper III and Cacilda M. Rêgo, eds. Albany: SUNY Press, pp. 217 – 232.

2016    "But You (Don't) Look Like an African American: African Diaspora Looking Relations between Brazil and the United States." In Race and the Politics of Knowledge Production: Diaspora and Black Transnational Scholarship in the United States and Brazil. Gladys Mitchell-Walthour and Elizabeth Hordge-Freeman, eds. New York: Palgrave Macmillan, pp. 99-111.

2013    "Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics." In Watching While Black: Centering the Television of Black Audiences. Beretta Smith-Shomade, ed.    New Brunswick: Rutgers University Press, pp. 207 – 219.
Christina Gómez

Books:

Mixed: Multiracial College Students Tell Their Life Stories, edited book with Andrew Garrod and Robert Kilkenny, Cornell University Press, December 2013.

Mi Voz, Mi Vida: Successful Latino College Students Tell Their Stories, edited book with Andrew Garrod and Robert Kilkenny, Cornell University Press, May 2007.

Selected Articles:

"How We Get the Work Done: The Invisible Workforce in Art & Design," in Teaching Labor History in Art and Design: Capitalism and the Creative Industries edited by K. Pyun and V. Quan, Routledge Press (forthcoming)

"Finding América: Creating Space and Place for Latinx Children's Books," in The Life & Literary Legacy of Luis J. Rodríguez, edited by J. Metcalf and B. Olguín, Edinburgh University Press Ltd (forthcoming)

"Constructive Disequilibrium and Transformative Pedagogy: Developing Global Citizens in Faraway Spaces," with A. Nalani and A. Garrod, Journal of the Scholarship of Teaching and Learning, December 2021.

"Out for Immigration Justice: Thinking through Social and Political Change," with D. Diaz-Strong, M. Luna-Duarte, E. Meiners in Youth Resistance Research and Theories of Change edited by Eve Tuck and K. Wayne Yang, Routledge Press, Fall 2013.

"Too close to the work/There is nothing right now," with E. Meiners, M. Luna-Duarte, and D. Diaz-Strong, in Humanizing Research: Decolonizing Research with Youth and Communities edited by Django Paris and Maisha T. Winn, Sage Publications, Spring 2013.

"Telling Our Stories, Naming Ourselves: The Lost María in the Academy," in Transforming the Ivory Tower, edited by Brett Stockdill and Mary Yu Danico, University of Hawaii Press, 2012.

"Undocumented Latino Youth: Strategies for Accessing Higher Education," with D. Diaz-Strong, M. Luna-Duarte, E. Meiners in Understanding the Disenfranchisement of Latino Men and Boys: Invisible No More, edited by Pedro Noguera, Aida Hurtado and Edward Fergus, Routledge Press, Fall 2011.

"Purged: Undocumented Students, Financial Aid Policies, and Access to Higher Education," with D. Diaz-Strong, M. Luna-Duarte, E. Meiners, Journal of Hispanic Higher Education, April 2011: vol 10, issue 2, 107 - 119.

See all articles: https://saic.academia.edu/ChristinaGomez
Mario Reinaldo Machado

Machado, M.R. & Healy, M. (2024). Landscape multifunctionality, agroecology and smallholders: A socio-ecological case study of the Cuban agroecological transition. Landscape Research.

Sands, B., Machado, M. R., White, A., Zent, E., & Gould, R. (2023). Moving towards an anti-colonial definition for regenerative agriculture. Agriculture and Human Values, 40(4), 1697-1716.

Machado, M. R. (2022). Smallholder farming for sustainable development: lessons on public policy from the Cuban agroecological transition. The Journal of Peasant Studies, 1-21.

Moulton, A. & Machado, M.R. (2019). Bouncing forward after Irma and Maria: Acknowledging colonialism, problematizing resilience and thinking climate justice. Journal of Extreme Events, 6(1), 1940003.

Fernández, M., Williams, J., Figueroa, G.,Graddy-Lovelace, G., Machado, M. R., Vásquez, L., Pérez, N., Casimiro, L., Romero, G., & Funes Aguilar, F. (2018). New Opportunities, New Challenges: Harnessing Cuba's Advances in Sustainable Agriculture under Normalizing Relations. Elementa Science of the Anthropocene , 6(1), 76.

Machado, M. R. (2018) What's going on with land-use in Cuba?: Disparate data sets and the Cuban agricultural transition. Journal of Land Use Science, 13(4), 439-446.

Machado, M. R. (2017). Alternative to what?: Agroecology, food sovereignty and Cuba's agricultural revolution. Human Geography, 10(3), 7-21.
Douglas J. Moody

Former editor of Latino Intersections, on-line academic journal published by Dartmouth College (2002 - 2006)
“Undergoing a Process and Achieving a Product: A Contradiction in Educational Drama?” In Gerd Bräuer, Ed. Body and Language: Intercultural Learning Through Drama, (Summer 2002)
“Tutoring the ESL Foreign Student Athlete: Some Issues and Methodologies” In Herb Simons, Ed. A Handbook for ED 98: Studying Language and Society (Fall 1999)
“Act Two: The Curtain Rises on Digital Theatre, But You Have to Download It First” Berkeley Language Center Newsletter Vol. 15, No. 1 (Fall 1999)
“The Curtain Rises on Digital Theatre: Rehearsing and Staging the First Act” Berkeley Language Center Newsletter Vol. 14, No. 2 (Spring 1999)
Bethany Moreton

To Serve God and Wal-Mart: The Making of Christian Free Enterprise (Harvard University Press, May 2009).
"Our Lady of Mont Pelerin: The 'Navarra School' of Catholic Neoliberalism," Capitalism: A Journal of History and Economics Volume 2, No. 1, WInter 2021, pp. 88-153.
Entre Dios y el capital (Tafalla, Navarra [España]: Txalaparta, 2022)
"And the Devil Take the Hindmost," co-authored with Pamela Voekel, Southern Cultures vol 28, No. 4 (Winter, 2022).
"Moral/Economies," Southern Cultures (Winter, 2022), co-edited with Pamela Voekel
'The U.S. Christians Who Pray for Putin," Boston Review, March 11, 2022
"Daddy Issues," Dissent Magazine, Summer 2021
Devotions and Desires: Histories of Religion and Sexuality in the Twentieth Century United States, co-edited with Gill Frank and Heather White (University of North Carolina Press, 2017).
"Kochonomics: The Racist Origins of Public Choice Theory," Boston Review, August 10, 2017.
"So Goes the Nation: Southern Antecedents and the Future of Work," Reconsidering Southern Labor History, ed. Keri Leigh Merritt and Matthew Hild (University Press of Florida, 2019).
"Knute Gingrich, All American? White Evangelicals, U.S. Catholics, and the Religious Genealogy of Political Realignment" in Faithful Republic: Religion and Politics in Modern America, ed. Andrew Preston, Bruce Schulman, and Julian Zelizer (University of Pennsylvania Press, 2015).
"S'More Inequality: The Neoliberal Marshmallow and the Corporate Reform of Education," Social Text, issue 120 "Politically Unwilling," Vol. 32, No. 3 120 (Fall 2014), pp. 29-48.
"Learning from the Right: A New Operation Dixie?" co-authored with Pamela Voekel, in Richard Greenwald and Daniel Katz, eds., Labor Rising: The Past and Future of Working People in America (New Press, 2012).
"A Matter of Some Interest: Payback and the Sterility of Capital," Common Knowledge vol.17 no. 2, (March 2011).
"Why Is There So Much Sex in Christian Conservatism and Why Do So Few Historians Care Anything about It?" Journal of Southern History 75th anniversary issue, v. 75, no. 3 (August, 2009).
"Make Payroll, Not War: Business Culture as Youth Culture," in Bruce Schulman and Julian Zelizer, eds., Rightward Bound: Making America Conservative in the 1970s (Cambridge: Harvard University Press, 2008).
"The Soul of the Service Economy: Wal-Mart and the Making of Christian Free Enterprise, 1929-1994," Enterprise & Society 8:4 (December, 2007).
"The Soul of Neoliberalism," Social Text v. 25, no. 3 92 (Fall 2007), pp. 103-123.
"Vaya con Dios: Religion and the Transnational History of the Americas," co-authored with Pamela Voekel, History Compass, Summer 2007.
"It Came from Bentonville: The Agrarian Origins of Wal-Mart Culture" in Nelson Lichtenstein, ed., Wal-Mart: The Face of Twenty-First Century Capitalism (New Press, 2006).

"The Bond that Explains Why Some on the Christian Right Support Putin's War," Washington Post, March 5, 2022
"The Rise and Fall of the Job," Pacific Standard, Oct. 22, 2015
Israel Reyes

Book: Humor and the Eccentric Text in Puerto Rican Literature. Gainesville: University Press of Florida, 2005.
Book: Embodied Economies: Diaspora and Transcultural Capital in Latinx Caribbean Fiction and Theater. New Brunswick, NJ: Rutgers University Press, 2022.
"Memory in Motion: UrbanTheater Company's Back in the Day and the Chicago Latinx Dance Crews of the 1980s." Latin American Theatre Review 55.1 (2021): 103-132.
"Memory and Culinary Nostalgia in Cuban American Performance and Memoir." Des/memorias: Culturas y prácticas mnemónicas en América Latina y el Caribe. Eds. Adriana López-Labourdette, Silvia Spitta, and Valeria Wagner. Barcelona: Linkgua (2016): 193-212.
"Politics of Humor." Encyclopedia of Latinas and Latinos in Contemporary Politics, Law, and Social Movements. Eds. Deena J. González and Susanne Oboler. Oxford: Oxford University Press. (2015)
"Barrio, Body, Beat: Tato Laviera and the Holistic Rhythm of Mestizaje." The AmeRican Poet: Essays on the Work of Tato Laviera. Eds. Stephanie Alvarez and William Luis. New York: Center for Puerto Rican Studies, 2014. 184-96.
"La frontera que embizca: Las caricaturas políticas de Lalo Alcaraz" Revista Iberoamericana. 57.234 (2011): 195-211.
"Migration and Ethnic Humor in Ana Lydia Vega's 'Pollito Chicken.'" Invited book chapter for Cross Currents: Building Bridges across American and Nigerian Studies. Ed. Judith Byfield. Ibadan, Nigeria: BookBuilders, 2009. 15-31.
"Transnational Bodies, Queer Borders: The Challenge of Latin American and Latino/a Sexual Identities," Latin American Studies Association Forum , 37:3 (Summer 2006) 18-20.
"Recuerdos "parciales" y el closet de la literatura: Ficción y autobiografía de Judith Ortiz Cofer. La Revista Iberoamericana. Eds. Alberto Sandoval-Sánchez and Frances Aparicio. 71.212 (2005): 847-64.
"Comedy and Humor." Encyclopedia of Latinos and Latinas in the United States. Eds. Deena J. González and Susanne Oboler. Oxford: Oxford University Press (2005).
"De-facing Cuba: Translating and Transfiguring Cristina García's The Agüero Sisters." Voice-Overs: Translation and Latin American Literature. Eds. Daniel Balderston and Marcy Schwartz. Albany: SUNY (2002) 224-34.
"La sabiduría de la mujer en la obra de Nemesio Canales." Revista de Crítica Literaria Latinoamericana. 26.54 (2001): 111-28.
Analola Santana (she/her/ella)

Books:

Teatro y Cultura de Masas: Encuentros y Debates. México: Escenología, 2010.

Freak Performances: Dissidence in Latin American Theatre. Forthcoming, University of Michigan Press, November 2018.
Edited Volumes:

With Jimmy Noriega, eds. Theatre and Cartographies of Power: Repositioning the Latina/o Americas. Carbondale: Southern Illinois UP, 2018.

With Sara Muñoz, eds. Special Issue of Hispanic Issues Online: Freakish Encounters: Constructions of the Freak in Hispanic Cultures. Forthcoming, Spring 2018.

With Paola Hernández, eds. Fifty Key Figures in Latinx and Latin American Theatre. London: Routledge, 2022.

With Michael Chemers, eds. Monsters in Performance: Essays on the Aesthetics of Social Disqualification. London: Routledge, 2022.
Articles:

"¿Dónde está el paraíso?: Este cuerpo mío de Mariana Villegas y el afecto corporal." Religación 8.35 (January-March 2023): https://revista.religacion.com/index.php/religacion/issue/view/36.

"Neoliberal Transactions: Stating Prostitution in the Mexican Nation." Theatre Journal 74 (2022): 129-49.

"The Projection of the Self in Latin American Performance Art." Latin American Literature in Transition. Volume V: 1980-2017. Debra Castillo and Mónica Szurmuk, eds. Cambridge: Cambridge UP: 2022.

"Los circuitos de la invisibilidad. Performance, violencia y sexualidad." Perspectivas políticas de la escena latinoamericana. Diálogos en tiempo presente. Eds. Lola Proaño-Gómez and Lorena Verzero. Buenos Aires/Los Angeles: Argus-a Artes y Humanidades, 2017. 135-148.

"Theatre and Mass Culture: Pedagogical Tools for Stimulating Critical Thinking." Latin American Theatre Review 50.1 (Fall 2016): 191-204.
"Circuits of Invisibility: Performance, Violence, and Sexuality" Lateral, Journal of the Cultural Studies Association. (5.2, Fall 2016).
"Desesperanza en el porvenir: Reflexiones sobre la puesta en escena de Amores de Cantina de Juan Radrigán." Chasqui: Revista de literatura latinoamericana 45.2 (November 2016): 150-166.
With Claudio Valdés Kuri. "Between Pen and Sweat: An Account of an Experience between a Director and a Dramaturg" Theatre Topics 26.1 (March 2016): 131-40.
"Teatro Latino en los Estados Unidos: La estética teatral de Migdalia Cruz." Cuadernos de Literatura 37 (January-June 2015).
"Vida del proyecto." Monstruos y prodigios. La historia de los castrati: Recuento de un proyecto teatral inclasificable. Ed. Leonel Sagahón. México: CONACULTA (2014). 45-57.
"Una apuesta por el teatro." Revista Paso de Gato 10.51 (2012): 86-88.
"Transgresiones femeninas o cómo Jesusa Rodríguez encontró el cuerpo de Sor Juana." Revista Letras Femeninas 38.1 (2012): 55-69.
"Una máquina teatral: Forma e identidad en el teatro de Migdalia Cruz." Latin America Theatre Review 43.1 (2009): 103-120.
"Una cuestión de gustos: hacia una crítica teatral de la ética del consumo en Misa en Los Pinos de Jesusa Rodríguez." KARPA: Dissident Theatricalities, Visual Arts, and Culture. (January 2009). Online: <http://www.calstatela.edu/misc/karpa/Karpa2.1/Site%20Folder/index.html>.
Henrique Yagui Takahashi

"Somos nós, asiáticos brasileiros? Ideologia do branqueamento na brasilidade da diáspora leste-asiática" in Hugo Katsuo and Edylene Severiano, O "perigo amarelo" nos dias atuais: reflexões de uma nova geração, 2023

"'Diário de um detento' e a autoria do Massacre do Carandiru", Textos Híbridos, Vol. 9, Issue 2, 2022, pp. 53-70.

"A mixagem de significações dos Racionais MC's: aspectos estéticos, políticos e religiososo na narrativa do rap" in Giordano Bertelli and Gabriel Feltran (eds.), Vozes à margem: periferia, estética e política, 2017